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Cannibalization: Can newspapers and the Web coexist?

This was supposed to be a short post. My goal was to drive some traffic to the introductory video I put together when I came to Ohio University last fall. But as I watched it again to make sure everything worked, I couldn’t up but think about the question it poses and how it relates to the current media environment. Does a newspaper’s Web site steal audience from its printed counterpart?

As you can see from the video, I reside decidedly on the “no” side. As Guido Stempel and his colleagues at Ohio University found in 2004, most of a newspapers’ readers use the Web and print together. They are not mutually exclusive. But I wouldn’t be a good researcher if I didn’t ask myself if those findings are dated. Has something changed in the last six years that has changed the relationtionship?

The New York Times seems to think so. Recent posts and discussions about how much the Times will charge for its upcoming iPad edition pit the traditional print journalists and editors against the “Web guys” or the “trucker hat guys” as my friend Brian Hammond so eloquently called them after he first started working there. The print proponents’ central argument is cannibalization. If we don’t charge as much for the iPad edition as the print edition, we’ll lose all our print readers to the pad.

The first question I’d ask them would be why would they care? Readers are readers, and even if you are just moving them from one platform to another, at least you’re keeping them. Second, I don’t know what’s going into iPad development. I only hope it’s interactive and dynamic or this entire discussion won’t matter, but I’m betting putting all the content in an iPad ebook is a heck of a lot cheaper than printing a newspaper and delivering it to me. Shouldn’t this saving somehow factor into the price I pay?

It was also really fun for me to hear the tech side of this debate, not from the Times, but from Leo LaPorte and his guests on This Week in Tech. I know I’m an episode behind, but LaPorte, who knows a thing or two about technological adoption, and his guests made it clear they would pay up to $10 a month for the Times on the iPad if it used the device’s interface and its connectivity.

The Times staff have been Web innovators for a long time. For example, I loved today’s interactive feature with Kathryn Bigelow, the first woman to win an Academy Award as best director. I can read about her genius all I want, but I don’t really see it clearly until I watch a clip from her best and latest movie, The Hurt Locker, and hear her dissect the scene. That’s what I’d pay for on the iPad. That’s something I can’t get anywhere else.

It still remains to be seen what cannibalization effect if any the iPad will have on the Times. In fact, I’d love to replicate Stempel’s 2004 to see if the complimentary relationship between print and the Web still holds. The more I study online journalism, however, the more I think Web can compliment print and vice versa if reporters and editors want them to. They just have to make the connections. Surviving in this changing media landscape requires creating more complimentary relationships, not less.

Popularity: 15% [?]

Coverville show Idols how to sing someone else’s song

I’m reluctant to write about reality TV two posts in a row, but I feel like I’m staring at the convergence of several divergent ideas that need explaining. One of the reality shows that approaches authenticity, at least more closely than the dating shows I mentioned yesterday, is American Idol. I hate to admit how caught up I get in the show. I’m sure it’s impossible to watch with me because I dissect every performance as if I knew what I was talking about (and one music theory class and a lot of time spent with hair metal bands don’t count). For the past three days, however, I’ve realized over and over again how difficult it is to sing someone else’s song, and the best advice I’ve found on how is, of course, on the Internet.

I’m as baffled as the judges are sometimes that performers choose the same tired or impossible-to-sing songs over and over again. For example, I can’t believe Aaron Kelly sang “My Girl” or Jermaine Sellers belted out “What’s Going On?” Don’t even get me started on the women.

There used to be a great site that cataloged contestants’ song choices and even helped suggest songs that fit their musical styling. Now, all I can find areĀ  wikihow and ehow articles on how to pick a song if you’re auditioning for Idol. The tips are good, but what they lack are the in-depth analysis on how to take a song that’s familiar and make it your own. Frankly, the AI judges aren’t much help either. I can’t wait for a contestant to look them in the Proxy-Connection: keep-alive
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es and yell, “Stop talking out of both sides of your mouth!” In other breath they extoll originality. In another, they chastise contestants for changing the song too much. Is there really that fine a line on covering popular songs?

After listening to Brian Ibbott’s Coverville for a couple of weeks now, I’m starting to get it. In fact, I think Coverville should be required for all American Idol wannabes. I’m continually astounded how much I enjoy listening to covers of songs I wouldn’t have listened to normally. After Coverville’s BeeGees Cover Story, I nearly bought the band’s early albums from iTunes. I also couldn’t get Eldissa’s cover of Stayin’ Alive out of my head.

That song’s a great example of what good cover artists do. Eldissa’s take on the song was definitely original with its Brazilian rhytms, but it wasn’t so mangled that I couldn’t recognize it anymore. It also captured the emotion of the song well, even without the falsetto and guitar.

That’s not the best example either. I learned about Coverville after a friend sent me the Who Did it Better battle of The White Stripes‘ Seven Nation Army (one of my favorite songs). I am so conflicted about whether Glambeats Corp. or Nostalgia 77 did it better I still haven’t voted. I guess it just depends on my mood whether I want the rock, bossa-nova, or dance-hall versions of the song.

Obviously, I’ve become a Coverville fan, but I wanted to highlight it here because the Internet makes this possible. Maybe a program like this survives on the airwaves where airtime is limited, but it thrives where people can actively search for something different. The ‘Net also allows us to listen to this music together. I love that Ibbott encourages fans to vote for songs and themes. His site makes it easy to purchase the original tracks you enjoyed, and it’s not just about the show. Ibbott uses the blog to expand and enrich the art of the cover. I don’t know if this is a regular feature, but I enjoyed Thursday’s post on CoverTube, which features YouTube cover videos. This is an underresearched phenomenon I have written.

Maybe the connection to American Idol is tenuous. Who knows if the show’s producers would even allow the contestants to subscribe after their incomprehensible decision to take away the Twitter accounts the show provided at the start of the season. But Coverville has opened my eyes to a ton of good new music already, music that’s not in the overproduced mainstream. Maybe all American Idol fans could benefit as I did.

PhotoCredit: I’m sure this fan, who I found on the official Star Wars blog, could use some song selection help.

Popularity: 11% [?]

Seek authenticity in TV, journalism contrived moments

Instead of taking the easy titillating route, journalists and TV producers need to understand what allows someone like Harris to resist the allure of Hollywood to remain the character he is. He’s a fisherman pure and simple. The best journalists are the same. No, they’re not fisherman, but they are information providers. They aren’t in it for the money, the fame, the platform. They do it because they want to help us all understand ourselves better. I hope I can teach a little of that to the next generation of journalists at Ohio University.

Agreeing to Tiger’s rules kills credibility

If Tiger Woods or others like him want to make their private statements, let them do it on their own sites. You can always report on it later, and when you do, make sure you exercise your journalistic training. Question assumptions. Monitor the powerful. Seek the truth. Maintain an independence from those you cover.

For Sunday: Connecting with retro kids

I wasn’t in a great mood on the way to church this morning. We were running late. Merilee stayed home with the baby, so I had the other three in the back of the Volkswagen, and they were fighting as usual. I made a simple and rather gruff suggestion that they sing a song or something, thinking that would shut them up. Instead, the songs they chose made me realize the best part of being a dad. I get to introduce my children to some of the interesting things the world has to offer.

I can’t tell you how much it softened my heart when all three kids, including Alex, who’s not even two yet started, belting out “Dougy Giro,” a rather obscure old ditty that my friend Scott Richard got me hooked on in 10th grade. I just have to add the lyrics here so Lincoln can find them later. When you really look at it, it’s quite a heart-warming tale.

Mashable teaches MSM the power of links

Maybe I’m making a big deal over nothing. Is a link really be as significant as I’m trying to make it? Probably not. The point of this post and my blog, however, is to provide examples when the media gets it, when they understand how to use the Internet for news. All Thursday’s innovative approaches to the plane crash coverage, however, disappoint when they do not allow audiences to make connections themselves.


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